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Commercial decorating is the same trade as domestic decorating carried out under a completely different set of constraints. The building is usually still in use, so the programme is built around trading hours, shift patterns, term dates or the hours a managing agent will allow contractors on site. Offices, shops, warehouses, schools, surgeries, hotels and the communal parts of blocks of flats all fall into it, and in most of them the cost of closing a room is larger than the cost of decorating it.

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The legal frame is also different, and in a way most buyers do not expect. The Construction (Design and Management) Regulations 2015 define construction work to include the renovation, repair, upkeep and redecoration of a structure. Redecoration is named in the definition. That means a commercial repaint is a construction project, the organisation paying for it is a client with duties of its own, and those duties do not transfer away the way a householder's do.

Contract law changes too. A business commissioning work on its own premises is not a consumer, so the remedies homeowners rely on are simply not in play, and what governs instead is the contract, the general implied term of reasonable care and skill, and the rules on paying commercial invoices late. Knowing which of those apply before signing is worth more than shaving a percentage off the tender.

What a commercial decorating contract usually covers

  • Occupied office and retail refreshes, priced around evening, weekend or bank holiday access rather than a normal working day.
  • Void and end-of-tenancy redecoration between occupiers, where the whole unit is empty and the constraint is the date the next tenant takes possession.
  • Communal areas in blocks of flats: stairwells, landings, lift lobbies and bin stores, usually instructed by a managing agent on behalf of leaseholders.
  • Schools, colleges and nurseries, almost always compressed into half-term and summer holiday windows.
  • Industrial and warehouse coatings, including floor markings, steelwork, plant rooms and high-level structure reached from a mobile elevating work platform.
  • Hospitality and healthcare, where the specification is driven by how often the surface is cleaned and what it is cleaned with.
  • Planned cyclical redecoration under a service charge or a maintenance contract, priced over several years rather than as a single job.

Why a commercial repaint is a construction project under CDM 2015

Regulation 2 of the Construction (Design and Management) Regulations 2015 defines construction work as the carrying out of any building, civil engineering or engineering construction work, and it goes on to include the construction, alteration, conversion, fitting out, commissioning, renovation, repair, upkeep, redecoration or other maintenance of a structure. Decorators are sometimes surprised to find their trade written into a construction regulation by name; commercial clients are more often surprised to find themselves defined as a client, which regulation 2 makes any person for whom a project is carried out.

The duty that follows sits in regulation 4. A client must make suitable arrangements for managing the project, including allocating sufficient time and other resources, must maintain and review those arrangements, must give pre-construction information to every designer and contractor being considered or appointed, and must make sure a construction phase plan is drawn up before work begins. In a decorating context that is not bureaucracy for its own sake: the pre-construction information is where the client tells the contractor about the asbestos register, the live services, the fragile roof light over the atrium and the fact that the third floor is occupied.

Regulation 7 is what makes this a genuinely commercial issue rather than a general one. Where the client is domestic, the client duties pass to the contractor, or to the principal contractor where there is more than one. A business client has no such escape route. If your organisation is paying for the redecoration of premises it occupies or lets, the duties stay with your organisation, and appointing a good contractor discharges them only if you can show you checked and resourced the arrangements.

Written appointments and when HSE has to be told

Regulation 5 turns on a single question: is more than one contractor involved, or is it reasonably foreseeable that more than one will be. A repaint that also needs a scaffolder, an electrician to drop light fittings or a flooring contractor to lift carpet crosses that line easily. Where it is crossed, the client must appoint in writing a designer with control over the pre-construction phase as principal designer, and a contractor as principal contractor, as soon as practicable and in any event before the construction phase begins. If the client does not make those appointments, regulation 5 leaves the client carrying the missing role's duties.

Notification is a separate test with hard numbers. Under regulation 6 a project is notifiable where construction work on a construction site is scheduled to last longer than 30 working days and have more than 20 workers working simultaneously at any point, or to exceed 500 person days. Most single-building decorating contracts fall well short of both. A cyclical redecoration across a large estate, or a long fit-out where decorating is one package among many, can reach them, and the notice goes to the Health and Safety Executive before the construction phase starts.

One devolution point to keep straight. CDM 2015 applies in Great Britain. Northern Ireland has its own rule, the Construction (Design and Management) Regulations (Northern Ireland) 2016, which came into operation on 1 August 2016 and is enforced by the Health and Safety Executive for Northern Ireland. The structure is similar but it is a separate instrument, so quote the right one in a Northern Irish contract.

Your business is not a consumer: what actually protects the contract

Section 2(3) of the Consumer Rights Act 2015 defines a consumer as an individual acting for purposes that are wholly or mainly outside that individual's trade, business, craft or profession. A company, a partnership, a school, a landlord and a management company are none of those things when they commission work on premises they run. The repeat performance and price reduction remedies that a homeowner can rely on therefore do not apply to a commercial decorating contract, and neither does the rule that an unfair term is not binding.

What applies instead, in England, Wales and Northern Ireland, is section 13 of the Supply of Goods and Services Act 1982: in a relevant contract for the supply of a service where the supplier is acting in the course of a business, there is an implied term that the supplier will carry out the service with reasonable care and skill. Part II of that Act does not extend to Scotland, where the equivalent obligation comes from Scots common law, so a Scottish contract should spell the standard out rather than assume it. In every jurisdiction the practical answer is the same: write the specification down, because in a business contract the written scope carries far more weight than any implied term.

Payment has its own statute. GOV.UK states that where no payment date is agreed the law treats payment as late 30 days after the customer receives the invoice or the service is provided, and that the interest a business can charge another business is statutory interest of 8% plus the Bank of England base rate. Section 5A of the Late Payment of Commercial Debts (Interest) Act 1998 adds a fixed sum on top: £40 for a debt under £1,000, £70 for a debt of £1,000 or more but less than £10,000, and £100 for a debt of £10,000 or more, plus reasonable recovery costs above that sum. Contractors quote differently once they know a client pays to terms.

Access, height and decorating a building that is still open

Height is where most commercial decorating risk sits, and regulation 6 of the Work at Height Regulations 2005 sets the order in which it has to be dealt with. Work is not to be carried out at height where it is reasonably practicable to do the work safely otherwise than at height; where it must be done at height, sufficient work equipment must be provided for preventing a fall so far as is reasonably practicable; and where a fall cannot be prevented, the distance and consequences of a fall must be minimised. That hierarchy is why a competent contractor prices a tower or a platform for a stairwell or an atrium instead of a longer ladder, and why extendable poles and a scissor lift appear on a tender that looked over-specified.

The occupied-building problem is the other half. Solvent smell, noise, trailing leads, wet floors and the public walking through a work area are all foreseeable, and the arrangements for them belong in the construction phase plan rather than in a conversation on the morning. Agree who locks off which rooms, how the public route is separated, where materials are stored overnight, whether fire alarm zones need isolating and who reinstates them, and what happens to the work if the building has to be evacuated.

Two hazards deserve naming in a tender for an older commercial building. Textured decorative coatings and other pre-2000 materials raise the asbestos question, which is covered in the handyman guide on this site and belongs in the client's pre-construction information rather than in a decorator's risk assessment written on site. Old paint layers on steel windows, stairs and joinery raise the lead question, which the wallpaper removal guide on this site deals with in detail. Both are cheaper to settle before tender than after a contractor has mobilised.

Redecoration covenants, dilapidations and the managing agent

A great deal of commercial decorating is not bought because someone wanted a new colour. It is bought because a lease says so. Commercial leases commonly require internal redecoration in a stated year of the term and again in the final year, sometimes to a specified standard and sometimes subject to the landlord's approval of colours. A tenant who redecorates early, in the wrong colour, or in a finish the landlord will not accept, can end up paying twice.

In England and Wales there is a statutory backstop worth knowing about before a dilapidations claim is settled. Section 18(1) of the Landlord and Tenant Act 1927 provides that damages for breach of a covenant to keep or put premises in repair during the currency of a lease shall in no case exceed the amount by which the value of the reversion in the premises is diminished owing to the breach, and that no damages are recoverable for breach of a covenant to leave or put premises in repair at the end of a lease if the premises would shortly afterwards have been pulled down, or structurally altered in a way that would render the repairs valueless. Section 18 applies to England and Wales; Scotland and Northern Ireland treat the question differently, and dilapidations advice there is a job for a surveyor and a solicitor rather than a decorator.

For communal areas in a block of flats the constraint is different again. The work is usually instructed by a managing agent and paid for through the service charge, which means consultation obligations, leaseholder scrutiny of the specification and a real incentive for the agent to keep a written record of what was priced. If you are a leaseholder rather than the instructing party, the specification and the tender list are the documents to ask for.

How a commercial decorating contract is programmed

  • Survey and specification, recording each surface, its existing finish and the preparation it needs, room by room or elevation by elevation.
  • Pre-construction information from the client: asbestos register, live services, access restrictions, fire strategy and anything known about the building's history.
  • Tender on a like-for-like scope, so that the cheapest return is cheap for a reason you can see rather than because it priced less preparation.
  • Appointments in writing where more than one contractor is involved, and a construction phase plan before anybody starts.
  • Mobilisation: protection, signage, segregation of the public route, and agreement on storage, waste and out-of-hours access.
  • Phased working, so that a floor, a wing or a stair core is handed back complete rather than the whole building being half finished.
  • Snagging against the written specification, with a defects period and a retention or final payment tied to it rather than to a verbal sign-off.

What drives a commercial painting quote, and how LokalMatch fits in

Access and timing move a commercial number far more than area does. Working at night, at weekends or in a holiday shutdown carries a premium; so does a stairwell or an atrium that needs a tower, a platform or a scaffold instead of a step ladder. After that it is the preparation standard, the number of coats and the specification of the coatings, whether furniture, stock and equipment are moved by the contractor or by you, how many phases the building has to be handed over in, whether the contract carries any CDM coordination duties, and whether the client can give the contractor a clear run or a series of interrupted evenings. The presence of an asbestos register and a clear set of pre-construction information also shortens a tender, because a contractor who has to price uncertainty prices it high.

LokalMatch only makes the introduction. Post the job once with the postcode, the building type, the areas involved and the access window you can actually offer, and commercial decorators covering that area contact you directly. Posting costs the person asking nothing, and the professionals pay for the requests that come to them. LokalMatch does not carry out the decorating, does not set prices and does not vet, rank or recommend any contractor who replies, so comparing specifications, insurance and health and safety documentation remains your job.

Commercial Painting: frequently asked questions

Does CDM 2015 really apply to a repaint?

It can, because the definition is wide. Regulation 2 of CDM 2015 defines construction work to include the renovation, repair, upkeep, redecoration or other maintenance of a structure, and redecoration is named. Whether the heavier obligations bite depends on the project rather than the word: regulation 5 requires written appointment of a principal designer and principal contractor once more than one contractor is or may be involved, and regulation 6 makes a project notifiable only if it is scheduled to last longer than 30 working days with more than 20 workers on site simultaneously, or to exceed 500 person days.

Does the Consumer Rights Act protect my company if the decorating is bad?

No. Section 2(3) of the Consumer Rights Act 2015 defines a consumer as an individual acting for purposes wholly or mainly outside their trade, business, craft or profession, which a company, partnership, school or landlord is not when commissioning work on its own premises. In England, Wales and Northern Ireland section 13 of the Supply of Goods and Services Act 1982 implies a term that a service will be carried out with reasonable care and skill; Part II of that Act does not extend to Scotland. In every case the written specification is what you will actually argue from.

What can I charge if a commercial customer pays the decorating invoice late?

GOV.UK states that where no payment date is agreed, payment is late 30 days after the customer receives the invoice or the service is provided, and that statutory interest between businesses is 8% plus the Bank of England base rate. Section 5A of the Late Payment of Commercial Debts (Interest) Act 1998 adds a fixed sum: £40 where the debt is under £1,000, £70 where it is £1,000 or more but under £10,000, and £100 where it is £10,000 or more, with reasonable recovery costs claimable above that.

Why is the quote so much higher for evening and weekend work?

Because almost everything except the paint changes. Out-of-hours working means premium labour rates, more setting up and clearing away because the space has to be usable again each morning, slower progress as protection goes down and comes back up daily, security and access arrangements, and often a supervisor on site who would not be needed during the day. It also removes the contractor's ability to leave a room to dry, which is frequently what decides how many nights the job takes.

Our lease says we must redecorate in the last year of the term. What should we watch?

Read the covenant before you pick a colour, because many leases specify the standard and require the landlord's approval. In England and Wales, section 18(1) of the Landlord and Tenant Act 1927 caps damages for breach of a repairing covenant at the amount by which the value of the landlord's reversion is diminished, and bars damages altogether where the premises would shortly be pulled down or structurally altered so as to make the repairs valueless. That is a surveyor and solicitor question rather than a decorator one, and it is worth asking before the work is ordered.

Who is responsible for telling the decorator about asbestos in our building?

The client. Regulation 4 of CDM 2015 requires a client to provide pre-construction information as soon as practicable to every designer and contractor being considered or appointed, and in a pre-2000 building the asbestos register is the single most important document in it. A contractor who has not been given it is pricing blind, and finding a textured coating or an old insulating board halfway through an evening shift stops the job. The asbestos rules themselves are covered in the handyman guide on this site.

Sources

  1. Construction (Design and Management) Regulations 2015, regulation 2 (construction work includes redecoration)
  2. Construction (Design and Management) Regulations 2015, regulation 4 (client duties)
  3. Construction (Design and Management) Regulations 2015, regulation 5 (appointment of principal designer and principal contractor)
  4. Construction (Design and Management) Regulations 2015, regulation 6 (notification)
  5. Construction (Design and Management) Regulations 2015, regulation 7 (domestic clients)
  6. HSENI: the Construction (Design and Management) Regulations (Northern Ireland) 2016
  7. Consumer Rights Act 2015, section 2 (definitions of trader and consumer)
  8. Supply of Goods and Services Act 1982, section 13 (reasonable care and skill; England, Wales and Northern Ireland)
  9. Late Payment of Commercial Debts (Interest) Act 1998, section 5A (fixed sums)
  10. GOV.UK: late commercial payments, interest and debt recovery
  11. Work at Height Regulations 2005, regulation 6 (avoidance of risks from work at height)
  12. Landlord and Tenant Act 1927, section 18 (damages for breach of repairing covenant; England and Wales)

Written by the LokalMatch editorial team. Last reviewed 21 September 2026. How we write and check our guides

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What affects the cost of commercial painting

Prices depend on the details of your project. We only publish price ranges when they’re backed by real LokalMatch quote data or reliable sources. Until then, here’s what usually changes the price:

  • Size of the area and ceiling height
  • Condition of the walls, trim or siding
  • Amount of prep and repairs
  • Number of colours and coats
  • Paint quality
  • Access, including stairwells and upper floors

How to compare commercial painters before you hire

  • Ask how the painter will prepare the surfaces, since patching, sanding and priming matter as much as the paint.
  • Get a written quote that lists which rooms or surfaces are included, the number of coats and who supplies the paint.
  • Ask how they'll protect floors, furniture, landscaping and anything they can't move.
  • In older homes, ask how they handle old paint that may contain lead.
  • Look at recent work, paying attention to clean lines at ceilings and trim.

Questions to ask commercial painters before you hire

  • What prep work is included, such as patching, sanding, caulking and priming?
  • How many coats are included, and what paint will you use?
  • Are ceilings, trim, doors and closets part of the price?
  • How will you protect my floors, furniture and plants?
  • Can you show me proof of liability insurance?
  • What happens if I notice touch-ups needed after you finish?

Commercial painting permits and local rules

Some commercial painting work needs a permit or has to meet local bylaws. Rules vary by municipality, so ask your pro whether a permit is needed and who will apply for it — and check with your city or town if you’re unsure.

Permits and licensing

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