Commercial Painting
Commercial Painting near you
Commercial painting is bought on a different basis from residential work, and the difference is not simply that the building is bigger. The coating has to survive a use pattern nobody applies to a hallway at home: carts against corridor walls, disinfectant wiped over the same three feet every night, a stairwell that is a life safety path, a warehouse floor under forklift traffic. Specification therefore comes before color, and the crew is chosen partly for how little of your operation it interrupts.
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The regulatory weight also lands in a different place. In a house, the governing rule is usually EPA's lead-safe renovation requirement. In a commercial building, the painter is an employer on a construction site, which brings OSHA's lead in construction standard into play on any structure where lead-containing coatings are present, regardless of when the building went up. Hazard communication, respiratory protection and fall protection follow the same crew onto the same scaffold. These are workplace obligations rather than something a building owner signs off, but they are visible from the ground and they tell you a great deal about who you have hired.
EPA's residential rule has not disappeared either. It reaches commercial property wherever a pre-1978 building contains a day care room, a preschool or a kindergarten classroom, and a property manager who has never read that definition can be genuinely surprised by which parts of the building are covered.
What a commercial painting scope covers beyond walls and ceilings
A commercial bid is only comparable when every bidder is pricing the same list of surfaces and the same working hours. Name both in the request for quotes rather than leaving them to be assumed.
- Tenant turnover repaints on a fixed handover date, where schedule certainty matters more than any other variable.
- Occupied-space work phased into evenings, weekends or a floor-at-a-time rotation so the business keeps running.
- Block and precast exteriors, which need block filler and high-build coatings rather than the products used on siding.
- Structural steel, railings, bollards and mechanical equipment, where the coating is corrosion protection first and appearance second.
- Floor coatings in warehouses, kitchens and parking structures, a separate specification with its own moisture testing and cure schedule.
- Line striping and pavement marking in lots and garages, including accessible stall layout that has to be got right.
- Epoxy, urethane and other high-performance systems for wet, chemical or high-abrasion rooms, each with recoat windows measured in hours.
- Wall protection detailing around corner guards, chair rails and door frames, which is where a commercial repaint visibly fails first.
OSHA's lead in construction rule applies to any building with lead coatings
Owners often assume that lead stops being an issue outside housing. It does not. The construction standard at 29 CFR 1926.62 sets a permissible exposure limit requiring that no employee be exposed to lead at concentrations greater than fifty micrograms per cubic meter of air averaged over an eight-hour period, and it defines the action level as exposure, without regard to the use of respirators, to an airborne concentration of thirty micrograms per cubic meter. Neither figure has a build-year attached to it. What triggers the standard is lead being present in the coating, which is a question of what was specified when the building was last painted rather than what year it was framed.
The standard is unusual in that it tells the employer to assume the worst until it has measured. Where lead-containing coatings or paint are present, it lists manual demolition of structures, manual scraping, manual sanding, heat gun applications, and power tool cleaning with dust collection systems, and separately spray painting with lead paint, as tasks where the employee must be treated as exposed above the limit until an exposure assessment documents otherwise. A second tier, covering rivet busting, power tool cleaning without dust collection, cleanup where dry expendable abrasives are used, and abrasive blasting enclosure movement and removal, presumes a much higher exposure again. Abrasive blasting, welding, cutting and torch burning on lead-coated structures sit in the highest tier of all.
For a building owner the practical consequence is a paperwork trail and a visible one. Interim protection means respirators, protective clothing, clean change areas and initial medical surveillance in the form of blood sampling before anyone starts scraping. Ask whether the existing coating has been tested, ask what the exposure assessment concluded, and expect a contractor who has done this before to hand the answers over without being chased.
Child-occupied facilities: EPA's lead rule reaches commercial buildings
EPA's renovation rule is written around residential property, but its second category is not. A child-occupied facility is defined in 40 CFR 745.83 as a building, or portion of a building, constructed prior to 1978, visited regularly by the same child under six years of age on at least two different days within any week, where each day's visit lasts at least three hours, the combined weekly visits last at least six hours, and the combined annual visits last at least sixty hours. The definition names day care centers, preschools and kindergarten classrooms, and states plainly that such facilities may be located in target housing or in public or commercial buildings.
The boundary is drawn tightly, and knowing where it falls saves money. For common areas in a public or commercial building that contains a child-occupied facility, the covered area is only those common areas routinely used by children under six, such as restrooms and cafeterias. Common areas children only pass through, such as hallways, stairways and garages, are not included. On the exterior, only the sides of the building immediately adjacent to the facility or to those common areas are covered. A repaint of an office tower with a ground-floor daycare is therefore partly inside the rule and partly outside it, and the bid should say which parts are which.
Where the rule does apply, the firm has to be certified rather than merely trained, and that certification is verifiable. EPA states that RRP firm certifications are good for five years and that a recertification application should go in at least ninety days before the current one expires, so a certificate is worth reading for its date as well as its existence.
Hazard communication and the multi-employer job site
Commercial coatings are industrial chemicals, and the standard that governs what the people in the building are told about them is OSHA's hazard communication rule. Its stated purpose at 29 CFR 1910.1200 is to ensure that the hazards of all chemicals produced or imported are classified and that information concerning the classified hazards is transmitted to employers and employees, consistent with the United Nations Globally Harmonized System of Classification and Labelling of Chemicals. The same requirements apply to construction work, which 29 CFR 1926.59 states are identical to those of the general industry section. The mechanism is a written program, labels on containers, safety data sheets and employee training.
The part that matters most to a facility manager is the multi-employer provision. Where other employers' people work in the same space, the written program has to describe the methods the employer will use to give them on-site access to safety data sheets for each hazardous chemical their employees may be exposed to, to inform them of precautionary measures needed during normal operating conditions and foreseeable emergencies, and to inform them of the labeling system in use. That is the regulatory basis for asking a painting contractor to send the data sheets to your safety officer before the first drum arrives, not after.
Two further requests follow naturally. Ask for the data sheets for every product in the specification, including primers, thinners and cleaning solvents, and ask who on the crew is the named contact if an occupant reacts to an odor at two in the morning. Buildings with sensitive occupants, clinical areas or food handling should settle those questions in the contract rather than during the incident.
Working in an occupied building without stopping the business
The sequence in commercial work is driven by access rather than by craft. A good contractor walks the building before bidding and comes back with a phasing plan: which areas close, on what nights, how long each one is out of service, where materials are stored, which elevator is used and how it is protected, and how the crew reaches the building after hours without leaving a door propped open. A bid without that plan is a price for painting, not a price for painting your building.
Surface preparation is the other half, and on commercial substrates it is more varied than at home. Block wants filling, steel wants the right degree of cleaning before a primer will hold, previously coated drywall wants deglossing and a bonding primer, and anything that has been cleaned nightly with a quaternary disinfectant for years wants washing before a new coat will stick to it. Where the existing coating is failing, find out why before specifying over it. A coating applied on top of an adhesion failure fails at the same plane.
Fall protection shapes the schedule too. OSHA requires that each employee on a walking or working surface with an unprotected side or edge six feet or more above a lower level be protected from falling by guardrail systems, safety net systems or personal fall arrest systems. In practice that means atriums, mezzanines, stairwells and loading docks need equipment and time that a corridor does not, and a schedule that ignores the difference will slip.
Why commercial coatings fail early, and what to look for
- Peeling in sheets from a previously coated wall, which usually means the new coat bonded to a contaminant rather than to the old paint.
- Burnish marks where a low-sheen product was specified in a corridor that gets scrubbed, a specification error rather than an application one.
- Efflorescence and blistering on block and precast, pointing to water moving through the wall that a coating will not stop.
- Rust bleeding through coated steel, which means the surface preparation stopped short of what the primer required.
- Floor coating delamination in a slab that was never moisture tested before the system went down.
- Recoat windows missed on a two-part system, so the topcoat never chemically bonded to the layer under it.
- Odor complaints days after the work, which is a ventilation and scheduling failure rather than a product defect.
What moves a commercial painting quote, and how LokalMatch fits in
Commercial bids diverge on access, hours and specification far more than on the coating itself. The variables that move a US quote are the measured surface area by substrate rather than by floor area, the working hours the building allows and whether any of them are premium, the height and the staging or lift equipment needed to reach it, the condition of the existing coating and how much preparation it needs, whether lead-containing coatings are present and an exposure assessment is required, whether any part of the building meets EPA's child-occupied facility definition, the number of separate products and colors in the specification, and the insurance and bonding the property requires. Ask for the takeoff by substrate and the phasing plan, and the numbers stop looking arbitrary.
LokalMatch is only the introduction. You describe the property once: what kind of building it is, the surfaces involved, the age of the structure, whether any space is used by young children, and when the work can happen. Commercial painting contractors covering your area receive the request and the ones with capacity contact you directly. Those contractors pay for the requests they receive, and the service costs building owners and managers nothing. LokalMatch does not paint anything, does not set or negotiate prices, and does not vet, rank or recommend any contractor, so verifying licensing, certificates of insurance and the safety documentation stays with you.
Commercial Painting: frequently asked questions
Does a commercial building have to be pre-1978 for lead rules to apply?
No. EPA's renovation rule uses 1978 as its boundary, but OSHA's lead in construction standard does not. It applies wherever lead-containing coatings are present, and it sets a permissible exposure limit of fifty micrograms of lead per cubic meter of air over an eight-hour period with an action level of thirty. A building repainted with a lead-containing industrial coating long after 1978 is still within that standard, which is why testing the existing film matters more than the construction date.
Our office building has a daycare on the ground floor. Is the whole repaint covered?
Almost certainly not the whole building. EPA's definition covers the child-occupied facility itself, plus only those common areas routinely used by children under six, such as restrooms and cafeterias. Hallways, stairways and garages that children merely pass through are excluded, and on the exterior only the sides immediately adjacent to the facility or those common areas are covered. Ask the bidders to split the scope along that line.
What should I ask for before a crew starts work in an occupied building?
The safety data sheets for every product in the specification, a written phasing plan naming which areas close on which nights, proof of insurance, and a named after-hours contact. OSHA's hazard communication rule requires an employer sharing a site to describe how it will give other employers access to those data sheets and inform them of precautionary measures, so asking for them is squarely within what the contractor already has to do.
Why does the bid include so much time for surface preparation?
Because that is where commercial coatings succeed or fail. Block needs filling, steel needs cleaning to the standard the primer specifies, and drywall that has been scrubbed with disinfectant for years needs washing and deglossing before anything will bond to it. A coating laid over a contaminated or failing surface fails at that plane no matter how good the product is, and repainting the same corridor twice costs far more than preparing it once.
How do I verify a firm's EPA lead-safe certification?
Ask for the certificate and check its expiry. EPA states that RRP firm certifications are good for five years and that recertification should be applied for at least ninety days before the current certification expires, so a firm can hold an old logo and a lapsed status at the same time. EPA also publishes a searchable list of certified firms, which is the place to confirm what a contractor tells you.
Is fall protection really a painting issue?
Anywhere the crew works above an open edge, yes. OSHA requires employees on a walking or working surface with an unprotected side or edge six feet or more above a lower level to be protected by guardrails, safety nets or personal fall arrest. Atriums, mezzanines, stairwells and loading docks therefore need equipment and setup time that an ordinary corridor does not, and a schedule that does not allow for it will run late.
Sources
- 29 CFR 1926.62: Lead (construction), govinfo
- 40 CFR 745.83: Definitions, Residential Property Renovation, govinfo
- 29 CFR 1910.1200: Hazard communication, govinfo
- 29 CFR 1926.59: Hazard communication (construction), govinfo
- 29 CFR 1926.501: Duty to have fall protection, govinfo
- EPA: Renovation, Repair and Painting Program Firm Certification
Written by the LokalMatch editorial team. Last reviewed September 21, 2026. How we write and check our guides
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- Commercial Painting in Apple Valley
- Commercial Painting in Blaine
- Commercial Painting in Bloomington
- Commercial Painting in Brooklyn Park
- Commercial Painting in Burnsville
- Commercial Painting in Coon Rapids
- Commercial Painting in Duluth
- Commercial Painting in Eagan
- Commercial Painting in Eden Prairie
- Commercial Painting in Edina
- Commercial Painting in Lakeville
- Commercial Painting in Maple Grove
- Commercial Painting in Minnetonka
- Commercial Painting in Plymouth
- Commercial Painting in Rochester
- Commercial Painting in St. Cloud
- Commercial Painting in St. Louis Park
- Commercial Painting in Woodbury
Mississippi
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Missouri
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- Commercial Painting in Kansas City
- Commercial Painting in St. Louis
- Commercial Painting in Blue Springs
- Commercial Painting in Columbia
- Commercial Painting in Florissant
- Commercial Painting in Independence
- Commercial Painting in Joplin
- Commercial Painting in Lee's Summit
- Commercial Painting in O'Fallon
- Commercial Painting in Springfield
- Commercial Painting in St. Charles
- Commercial Painting in St. Joseph
- Commercial Painting in St. Peters
Montana
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Nebraska
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Nevada
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- Commercial Painting in Henderson
- Commercial Painting in Las Vegas
- Commercial Painting in North Las Vegas
- Commercial Painting in Reno
- Commercial Painting in Carson City
- Commercial Painting in Enterprise
- Commercial Painting in Paradise
- Commercial Painting in Sparks
- Commercial Painting in Spring Valley
- Commercial Painting in Sunrise Manor
New Hampshire
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New Jersey
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- Commercial Painting in Jersey City
- Commercial Painting in Newark
- Commercial Painting in Bayonne
- Commercial Painting in Camden
- Commercial Painting in Clifton
- Commercial Painting in East Orange
- Commercial Painting in Elizabeth
- Commercial Painting in Hoboken
- Commercial Painting in Lakewood
- Commercial Painting in New Brunswick
- Commercial Painting in Passaic
- Commercial Painting in Paterson
- Commercial Painting in Perth Amboy
- Commercial Painting in Plainfield
- Commercial Painting in Toms River
- Commercial Painting in Trenton
- Commercial Painting in Union City
- Commercial Painting in Vineland
- Commercial Painting in West New York
New Mexico
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New York
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- Commercial Painting in Buffalo
- Commercial Painting in New York City
- Commercial Painting in Albany
- Commercial Painting in Cheektowaga
- Commercial Painting in Hempstead
- Commercial Painting in Irondequoit
- Commercial Painting in Levittown
- Commercial Painting in Mount Vernon
- Commercial Painting in New Rochelle
- Commercial Painting in Rochester
- Commercial Painting in Schenectady
- Commercial Painting in Syracuse
- Commercial Painting in Town of Tonawanda
- Commercial Painting in Troy
- Commercial Painting in Utica
- Commercial Painting in White Plains
- Commercial Painting in Yonkers
North Carolina
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- Commercial Painting in Charlotte
- Commercial Painting in Durham
- Commercial Painting in Greensboro
- Commercial Painting in Raleigh
- Commercial Painting in Winston-Salem
- Commercial Painting in Apex
- Commercial Painting in Asheville
- Commercial Painting in Burlington
- Commercial Painting in Cary
- Commercial Painting in Chapel Hill
- Commercial Painting in Concord
- Commercial Painting in Fayetteville
- Commercial Painting in Gastonia
- Commercial Painting in Greenville
- Commercial Painting in High Point
- Commercial Painting in Holly Springs
- Commercial Painting in Huntersville
- Commercial Painting in Jacksonville
- Commercial Painting in Kannapolis
- Commercial Painting in Mooresville
- Commercial Painting in Rocky Mount
- Commercial Painting in Wake Forest
- Commercial Painting in Wilmington
North Dakota
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Ohio
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- Commercial Painting in Cincinnati
- Commercial Painting in Cleveland
- Commercial Painting in Columbus
- Commercial Painting in Toledo
- Commercial Painting in Akron
- Commercial Painting in Canton
- Commercial Painting in Cuyahoga Falls
- Commercial Painting in Dayton
- Commercial Painting in Elyria
- Commercial Painting in Hamilton
- Commercial Painting in Kettering
- Commercial Painting in Lorain
- Commercial Painting in Middletown
- Commercial Painting in Newark
- Commercial Painting in Parma
- Commercial Painting in Springfield
- Commercial Painting in Youngstown
Oklahoma
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- Commercial Painting in Oklahoma City
- Commercial Painting in Tulsa
- Commercial Painting in Broken Arrow
- Commercial Painting in Edmond
- Commercial Painting in Enid
- Commercial Painting in Lawton
- Commercial Painting in Midwest City
- Commercial Painting in Moore
- Commercial Painting in Norman
- Commercial Painting in Stillwater
Oregon
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- Commercial Painting in Portland
- Commercial Painting in Albany
- Commercial Painting in Aloha
- Commercial Painting in Beaverton
- Commercial Painting in Bend
- Commercial Painting in Corvallis
- Commercial Painting in Eugene
- Commercial Painting in Gresham
- Commercial Painting in Hillsboro
- Commercial Painting in Medford
- Commercial Painting in Salem
- Commercial Painting in Springfield
- Commercial Painting in Tigard
Pennsylvania
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- Commercial Painting in Philadelphia
- Commercial Painting in Pittsburgh
- Commercial Painting in Allentown
- Commercial Painting in Bethlehem
- Commercial Painting in Erie
- Commercial Painting in Harrisburg
- Commercial Painting in Lancaster
- Commercial Painting in Levittown
- Commercial Painting in Reading
- Commercial Painting in Scranton
Rhode Island
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South Carolina
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- Commercial Painting in Charleston
- Commercial Painting in Columbia
- Commercial Painting in Goose Creek
- Commercial Painting in Greenville
- Commercial Painting in Greer
- Commercial Painting in Mount Pleasant
- Commercial Painting in North Charleston
- Commercial Painting in Rock Hill
- Commercial Painting in Summerville
South Dakota
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Tennessee
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- Commercial Painting in Memphis
- Commercial Painting in Nashville
- Commercial Painting in Bartlett
- Commercial Painting in Chattanooga
- Commercial Painting in Clarksville
- Commercial Painting in Cleveland
- Commercial Painting in Collierville
- Commercial Painting in Columbia
- Commercial Painting in Franklin
- Commercial Painting in Gallatin
- Commercial Painting in Hendersonville
- Commercial Painting in Jackson
- Commercial Painting in Johnson City
- Commercial Painting in Kingsport
- Commercial Painting in Knoxville
- Commercial Painting in Lebanon
- Commercial Painting in Murfreesboro
- Commercial Painting in Smyrna
- Commercial Painting in Spring Hill
Texas
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- Commercial Painting in Arlington
- Commercial Painting in Austin
- Commercial Painting in Corpus Christi
- Commercial Painting in Dallas
- Commercial Painting in El Paso
- Commercial Painting in Fort Worth
- Commercial Painting in Houston
- Commercial Painting in Irving
- Commercial Painting in Laredo
- Commercial Painting in Lubbock
- Commercial Painting in Plano
- Commercial Painting in San Antonio
- Commercial Painting in Abilene
- Commercial Painting in Allen
- Commercial Painting in Amarillo
- Commercial Painting in Atascocita
- Commercial Painting in Baytown
- Commercial Painting in Beaumont
- Commercial Painting in Brownsville
- Commercial Painting in Bryan
- Commercial Painting in Burleson
- Commercial Painting in Carrollton
- Commercial Painting in Cedar Park
- Commercial Painting in Celina
- Commercial Painting in College Station
- Commercial Painting in Conroe
- Commercial Painting in Denton
- Commercial Painting in DeSoto
- Commercial Painting in Edinburg
- Commercial Painting in Euless
- Commercial Painting in Flower Mound
- Commercial Painting in Frisco
- Commercial Painting in Fulshear
- Commercial Painting in Galveston
- Commercial Painting in Garland
- Commercial Painting in Georgetown
- Commercial Painting in Grand Prairie
- Commercial Painting in Grapevine
- Commercial Painting in Harlingen
- Commercial Painting in Killeen
- Commercial Painting in Kyle
- Commercial Painting in League City
- Commercial Painting in Leander
- Commercial Painting in Lewisville
- Commercial Painting in Little Elm
- Commercial Painting in Longview
- Commercial Painting in Mansfield
- Commercial Painting in McAllen
- Commercial Painting in McKinney
- Commercial Painting in Mesquite
- Commercial Painting in Midland
- Commercial Painting in Mission
- Commercial Painting in Missouri City
- Commercial Painting in New Braunfels
- Commercial Painting in North Richland Hills
- Commercial Painting in Odessa
- Commercial Painting in Pasadena
- Commercial Painting in Pearland
- Commercial Painting in Pflugerville
- Commercial Painting in Pharr
- Commercial Painting in Port Arthur
- Commercial Painting in Richardson
- Commercial Painting in Rockwall
- Commercial Painting in Round Rock
- Commercial Painting in Rowlett
- Commercial Painting in San Angelo
- Commercial Painting in San Marcos
- Commercial Painting in Sherman
- Commercial Painting in Spring
- Commercial Painting in Sugar Land
- Commercial Painting in Temple
- Commercial Painting in Texas City
- Commercial Painting in The Woodlands
- Commercial Painting in Tyler
- Commercial Painting in Victoria
- Commercial Painting in Waco
- Commercial Painting in Waxahachie
- Commercial Painting in Wichita Falls
- Commercial Painting in Wylie
Utah
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- Commercial Painting in Draper
- Commercial Painting in Eagle Mountain
- Commercial Painting in Herriman
- Commercial Painting in Layton
- Commercial Painting in Lehi
- Commercial Painting in Logan
- Commercial Painting in Millcreek
- Commercial Painting in Murray
- Commercial Painting in Ogden
- Commercial Painting in Orem
- Commercial Painting in Provo
- Commercial Painting in Salt Lake City
- Commercial Painting in Sandy
- Commercial Painting in Saratoga Springs
- Commercial Painting in South Jordan
- Commercial Painting in St. George
- Commercial Painting in Taylorsville
- Commercial Painting in West Jordan
- Commercial Painting in West Valley City
Virginia
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- Commercial Painting in Chesapeake
- Commercial Painting in Virginia Beach
- Commercial Painting in Alexandria
- Commercial Painting in Arlington
- Commercial Painting in Centreville
- Commercial Painting in Dale City
- Commercial Painting in Hampton
- Commercial Painting in Harrisonburg
- Commercial Painting in Lynchburg
- Commercial Painting in Newport News
- Commercial Painting in Norfolk
- Commercial Painting in Portsmouth
- Commercial Painting in Reston
- Commercial Painting in Richmond
- Commercial Painting in Roanoke
- Commercial Painting in Suffolk
Washington
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- Commercial Painting in Seattle
- Commercial Painting in Auburn
- Commercial Painting in Bellevue
- Commercial Painting in Bellingham
- Commercial Painting in Bothell
- Commercial Painting in Burien
- Commercial Painting in Everett
- Commercial Painting in Federal Way
- Commercial Painting in Kennewick
- Commercial Painting in Kent
- Commercial Painting in Kirkland
- Commercial Painting in Lacey
- Commercial Painting in Lakewood
- Commercial Painting in Marysville
- Commercial Painting in Olympia
- Commercial Painting in Pasco
- Commercial Painting in Redmond
- Commercial Painting in Renton
- Commercial Painting in Richland
- Commercial Painting in Sammamish
- Commercial Painting in Shoreline
- Commercial Painting in South Hill
- Commercial Painting in Spokane
- Commercial Painting in Spokane Valley
- Commercial Painting in Tacoma
- Commercial Painting in Vancouver
- Commercial Painting in Yakima
Wisconsin
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- Commercial Painting in Madison
- Commercial Painting in Milwaukee
- Commercial Painting in Appleton
- Commercial Painting in Eau Claire
- Commercial Painting in Green Bay
- Commercial Painting in Janesville
- Commercial Painting in Kenosha
- Commercial Painting in La Crosse
- Commercial Painting in Oshkosh
- Commercial Painting in Racine
- Commercial Painting in Waukesha
- Commercial Painting in West Allis
Wyoming
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What affects the cost of commercial painting
Prices depend on the details of your project. We only publish price ranges when they’re backed by real LokalMatch quote data or reliable sources. Until then, here’s what usually changes the price:
- Size of the area and ceiling height
- Condition of the walls, trim or siding
- Amount of prep and repairs
- Number of colours and coats
- Paint quality
- Access, including stairwells and upper floors
How to compare commercial painters before you hire
- Ask how the painter will prepare the surfaces, since patching, sanding and priming matter as much as the paint.
- Get a written quote that lists which rooms or surfaces are included, the number of coats and who supplies the paint.
- Ask how they'll protect floors, furniture, landscaping and anything they can't move.
- In older homes, ask how they handle old paint that may contain lead.
- Look at recent work, paying attention to clean lines at ceilings and trim.
Questions to ask commercial painters before you hire
- What prep work is included, such as patching, sanding, caulking and priming?
- How many coats are included, and what paint will you use?
- Are ceilings, trim, doors and closets part of the price?
- How will you protect my floors, furniture and plants?
- Can you show me proof of liability insurance?
- What happens if I notice touch-ups needed after you finish?
Commercial painting permits and local rules
Some commercial painting work needs a permit or has to meet local bylaws. Rules vary by municipality, so ask your pro whether a permit is needed and who will apply for it — and check with your city or town if you’re unsure.
Permits and licensingFree project calculators
Guides about commercial painting
- ✦
Painters guide
Hiring a painter in the United States means hiring two things at once: a finish and a work method. The finish is what you see, and it comes down to preparation, the number of coats and the care taken at edges.
Read guide - ✦
Interior Painting guide
Interior painting looks like the simplest job in the house to buy, which is why it is so often bought badly. The coating itself is a small part of what you are paying for.
Read guide - ✦
Exterior Painting guide
An exterior repaint is a maintenance job disguised as a cosmetic one. The coating is what stops water reaching wood, and the part of the work that determines whether it lasts happens before any colour goes on: washing,…
Read guide
Services related to commercial painting
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